In the tradition of “Iron Man”, Will Smith stars in yet-another-messed-up-superhero blockbuster that is “Hancock”.
Continue reading ‘“Hancock” -Another Messed Up Hero Rules the Box Office’
World Women Weblog For Fabulous Ladies Only!
In the tradition of “Iron Man”, Will Smith stars in yet-another-messed-up-superhero blockbuster that is “Hancock”.
Continue reading ‘“Hancock” -Another Messed Up Hero Rules the Box Office’
The latest figures show that the weekend gross of Walt Disney’s animated film WALL-E added up to $63.1 million, toppling the Angelina Jolie-James McAvoy starrer “Wanted”, which made a not-so-measly $50.9 million over the weekend.
Continue reading ‘WALL-E Topples Angelina Film in Box Office’
Fantastic Four: Rise of the Silver Surfer earned $57 million over the weekend dropping Ocean’s 13 to second place at the box office, but barely managed to squeak by its predecessor’s $56.1 million opening two years ago. The dark horse comedy Knocked Up stayed steady in third while last week’s other wide release, Nancy Drew, came in seventh earning a meager $7.1 million.
Industry analysts are still puzzled why recent blockbusters aren’t holding their audiences. Chris Aronson, senior vice president for ...
Want to win a free copy of THE HOLIDAY ? All you have to do is be the first to email me at Bumpshack@gmail.com with the answer to these easy four questions. The winner will receive a DVD of the film along with some tasty popcorn.
Here is a very detailed review of this hit film starring Cameron Diaz, Kate Winslet, Jack Black and Jude Law from the BumpWife.
THE HOLIDAY is a trendy, charming, and at times even magical romantic tale that reflected the best of Los Angeles. The film also takes a look at life on the other side of the pond (England) while the characters tried ways of forgetting a failed relationship while falling upon and into new ones.
While the overall story is one that we may have come to expect as an audience, the film’s way of getting there was more up to date and refreshing than many of its counterparts. There were even a few laugh out loud moments to be had. The downside to the film was the use of modern technology that will date itself quickly as well as some of the relationships that appeared a bit forced (although the actors carried it off well).
Diaz’s character pokes fun at her Affected Angeleno self through the use of trailer and voice over edits (her high powered entertainment industry job). Her focus is reflective of many city girls in their late 20s through 30s so this movie should find a place with these women as it did with me.
Winslet provided the bright, doe-eyed wonder of one who stumbles into “Tinsel Town” without being jaded by her own industry after toying with the idea of doing herself in Sylvia Plath style with her gas burning oven in England. Peripheral satirical comment on the greedy Hollywood industry is provided by a rather eccentric elderly screenwriter from the old days of Hollywood. The inside banter on box office madness gives outsiders an inside peek at the lost glamour of the moving picture while sating the appetite of the audience settled in for a romantic tale.
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Top Weekend Box Office
April 6-8, 2007
Parenthesis indicates total box office take since opening.
Double feature Grindhouse co-directed by Robert Rodriguez and Quentin Tarantino bombed on it’s first day of release. Another bomb for the Weinstein brothers (Harvey and Bob).
But the hard “R”-rated pic should take in just $13.5 million this weekend — nowhere near even the lowest $20 mil opening predicted (or the $25 mil debut anticipated after midnight sneaks were added in major cities).
The weekend take will be far, far below the openings for, say, Rodriguez’s Sin City ($29.1 mil) or Tarantino’s Kill Bill 1 ($22 mil) and 2 ($25.1 mil).
The Weinstein Co. has been plagued by bomb after bomb since its 2005 inception after Miramax founders Harvey and Bob couldn’t come to terms with Disney. It had a lot riding on this pic in terms of reputation. (Not to mention money: I hear the real budget for Grindhouse is at $67.5 mil though Harvey and Bob were spinning it as low $50s.)
Clearly, the Weinsteins’ legendary prowess for media exploitation, which had been working overtime on this exploitation movie, couldn’t hide the problems of a running time over 3 hours, a release date delayed by half a year, and the subject matter’s limited audience appeal. Plus, younger and hungrier directors in recent years have been pushing the envelope to create wilder and rawer horror pics, so it seems Tarantino and Rodriguez couldn’t compete on their more famous playing field.
Congrats Weinstein’s, it couldn’t have happened to two worse people. Maybe one day you will wise up and quit throwing telephones at your employees and cursing out everyone you disagree with.
Grindhouse- RATED R- Directors Quentin Tarantino and Robert Rodriguez present two full-length movies in a new horror double feature.
In Tarantino’s “Death Proof,” Austin’s hottest DJ, Jungle Julia, sets out into the night to unwind with her two friends Shanna an Arlene. Covertly tracking their moves is Stuntman Mike, a scarred rebel leering from behind the wheel of his muscle car, revving just feet away.
In Rodriguez’s “Planet Terror,” two doctors find their graveyard shift inundated with townspeople ravaged by sores. Among the wounded is Cherry, a dancer whose leg was ripped from her body. As the invalids quickly become enraged aggressors, Cherry and her ex-boyfriend Wray lead a team of accidental warriors into the night.
Are We Done Yet?- RATED PG- Now married to Suzanne, Nick Persons has bought a quiet suburban house to escape the rat race of the big city and to provide more space for his new wife and kids Lindsey and Kevin. But when his new home quickly becomes a costly “fixer upper” and he finds himself at the mercy of an eccentric contractor, Nick’s suburban dream becomes a riotous nightmare.
Firehouse Dog- RATED PG- Rex, Hollywood’s top-grossing canine, is known for his extreme athletic abilities and diva-like demeanor. His perks package, rivaling that of any A-list celebrity, includes Kobe beef, a poodle harem, and a diamond collar. Rex’s luck–and Hollywood high life–runs out while shooting a commercial; an aerial stunt goes awry, leading Rex’s handlers to presume he’s dead. But Rex is merely lost–alone, filthy and unrecognizable in an unfamiliar city. Chased by animal control, he takes refuge in grubby abandoned lofts, a far cry from his former luxurious lifestyle. Shane Fahey, a bright but rebellious 12-year-old, has exasperated his father Connor for the umpteenth time. A single parent and captain of the rundown inner city fire station known as Dogpatch, Connor is charged with inspiring his sad-sack company, who are still coping with the recent loss of their former captain, Connor’s brother. Shane is also troubled by his uncle’s death, and he’s been acting out by ditching school. As Connor reprimands Shane for his unruly behavior, Dogpatch gets a call to put out a blaze tearing through the lofts where Rex has been hiding. Trapped on the loft’s burning roof, Rex makes a death-defying leap and is rescued by Connor. Once they are safe on the ground, Shane is tasked with finding the mutt’s owner. The pompous, fastidious Rex and the troubled, messy Shane immediately clash. Unaware of Rex’s true identity, Shane becomes his reluctant new master. But his attitude changes when he discovers Rex’s spectacular skills, which the firefighters put to use during rescue calls. Inspired by the dog’s talent and courage, Dogpatch makes Rex its mascot. It’s just the boost the company needs–and what Shane and Connor need to help bring them together. But Rex’s fame has drawn the attention of his Hollywood handlers who want him back–while father and son face a deadly challenge from an unexpected source.
The Reaping- RATED R- A supernatural tale that centers on a myth debunker who tries to prove that a small boy is not the supernatural force behind the devastation of a small, religious Texas town
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